When telling stories in a museum setting,
I often begin the program by exploring the artwork through the
strategy of Visual Thinking, as developed by Abigail Housen and
Philip Yenawine.
Far from passive lectures, these lively discussions encourage
viewers to establish a personal connection with the art: sharing
their opinions and considering the ideas of others in the
group.
As a prologue to storytelling, the conversations prepare
listeners to reflect on how the stories and the art illuminate
one another.
By actively engaging in a response to the artwork and the story,
my audiences may broaden their perceptions and enrich the
experience of their museum visit.
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